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| React/Respond: Playing With Agency In Live Multimedia Performance |
| Avanca Cinema Proceedings 2011 |
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| Using Technology To Ride The Reflex/Volitional Continuum In Improvised Musical |
| ICMC Proceedings, Copenhagan, August 2007 |
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| A Conceptual Tool for Improvisation |
| Contemporary Music Review, 2006, Vol25 Routledge, UK |
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| Software Intervention in the Process of Improvisation |
| Digital Creativity, 2004, Vol14 No2 Swetz & Zeitlinger, Holland |
| Leeds International Festival for Innovations in Music Production and Composition: May 2011 |
| Avanca International Conference Cinema, Art, Technology - Portugal: July 2011 |
| Digital Resources for the Humanities and Arts – Dartington College of Arts: Sep 2007 |
| International Computer Music Conference, Copenhagan: Aug 2007 |
| Sonorities Two Thousand + Seven – Sonic Arts Research Center, Belfast: Feb 2007 |
| CyberSonica: Symposium on Contemporary Sound Art, Dhana Center, Science Museum, London: Jun 2005 |
| 1st International Conference for Digital Technologies and Performance Arts, Doncaster College Jun 2003 |
| Beyond Noise: Acoustic, Technical and Metaphorical Aspects of Noise in Audio and Visual Art, CREAT, UCSB California: Aug 2002 |
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| Dynamic graphic score commissioned by Plymouth Contemporary Music Festival performed by the ensemble 'Audio Political' . |
| Responsive visual interface performed by a solo instrumentalist while listening to an hypnotic script |
| A site specific interactive installation created in collaboration with Nic Saniland, commissioned by Rescen and Greenwich Dance Agency |
| A durational piece that responds to sound over long periods and produces a visual response or ‘acoustic trace’ |
| A system designed to be used by a soloist using a midi device in which a duet is played with an animated keyboard |
| A slow moving projection created in collaboration with Michael McInerney designed to respond to an improvisation by the ensembe 'works'. |
| Developed for artitst Pauline Amos, a simple non-responsive system which provides a generative soundscape with visual feedback. |
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